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Saturday, 2 November 2019

Read The Self in Black and White: Race and Subjectivity in Postwar American Photography (Interfaces: Stud Online



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Date : 2010-02-09

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The Self in Black and White Race and Subjectivity in ~ The Self in Black and White is a fascinating and original study of the ways in which notions about race and the self were formed perpetuated and contested in American photography during the 1950s ’60s and ’70s with an emphasis on images of the civil rights movement and the War on Poverty Author Erina Duganne opens with a discussion of the Kamoinge Workshop an African American

The Self in Black and White Race and Subjectivity in ~ The Self in Black and White Race and Subjectivity in Postwar American Photography Interfaces Studies in Visual Culture Erina Duganne on FREE shipping on qualifying offers The Self in Black and White is a fascinating and original study of the ways in which notions about race and the self were formed

The Self in Black and White Race and Subjectivity in ~ The Self in Black and White is a fascinating and original study of the ways in which notions about race and the self were formed perpetuated and contested in American photography during the 1950s ’60s and ’70s with an emphasis on images of the civil rights movement and the War on Poverty

Project MUSE The Self in Black and White Race and ~ Art historian Erina Dugannes The Self in Black and White Race and Subjectivity in Postwar American Photography is an important contribution to this revisionist discussion Duganne is primarily interested in photographs where African Americans are the subjects including news photography and artistic projects

Customer reviews The Self in Black and White ~ Find helpful customer reviews and review ratings for The Self in Black and White Race and Subjectivity in Postwar American Photography Interfaces Studies in Visual Culture at Read honest and unbiased product reviews from our users

The self in black and white race and subjectivity in ~ Get this from a library The self in black and white race and subjectivity in postwar American photography Erina Duganne Synopsis The Self in Black and White is a fascinating and original study of the ways in which notions about race and the self were formed perpetuated and contested in American photography during

The self in black and white race and subjectivity in ~ The self in black and white race and subjectivity in postwar American photography Request This Author Duganne Erina Title The self in black and white race and subjectivity in postwar American photography Erina Duganne Format Book Published Hanover Darthmouth College Press University Press of New England c2010

The Self in Black and White Race and Subjectivity in ~ Duganne’s historically rich treatment of race and subjectivity in the postwar years offers a fine addition to the literature on photography and it will be eagerly read by art historians photographic historians and scholars of American studies for years to come

The rise and fall of the Black Panthers The Perspective ~ Photo by KeystoneGetty Images Police intolerance for blacks A suspect being searched by two armed police during the Watts race riots in Los Angeles California August 1965 Photo by Harry BensonGetty Images Race riots Three policemen taking away a black civil rights protester during race riots in Newark New Jersey 1967

Project MUSE Retreat from Racial Essentialism Reading ~ Erina Duganne’s The Self in Black and White Race and Subjectivity in Postwar American Photography presents a genuinely new idea and points in innovative analytical directions in a wellargued watertight endrun around poststructuralism


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